I love industrial districts at night. There's such a glow to them, especially with cloud cover, and they're so unique among attractions natural and man-made. I flipped out at the beauty of a couple videos that popped up on Digg, along with some flickr pictures, taken by a guy who mans an industrial barge.
What a scene:
You can see two videos of him sailing out
here and
here. There's more to be found in his Flickr account too, so go nuts! This maritime stuff fascinates me. I can't wait until I can actualize my ambition to learn how to sail and log some serious hours on the sea. We are on the cruise!
I also recently watched To Live and Die in LA, a great 1985 movie by the director of The French Connection and featuring a fantastic score by Wang Chung. To my delight, there's a ton of industrial Los Angeles scenery, and a splendid early-morning drive amid factories in the middle of the film and at the end (which has the bonus of Wang Chung's very intense song,
Wait). Here are some screenshots, auto-adjusted to bring out the real color and beauty:
You can also view the credit sequence with Wang Chung's song:
http://www.youtube.com/watch?v=esLmTJLEwss&fmt=18Something about the song Wait
feels like rain. That's special. As you watch the video and see scenery reminiscent of a time past, with old model cars on the road and the sound of mid-80s urgency in your ears, imagine that you're in that time. The late 80s, the 90s, the 00s—none of it's happened yet. When you go home, there's no computer, and your TV may have tubes. There are no cell phones, nor handheld devices. And you're so
alive, it almost hurts. Fantastic.
As the credits rolled, I had a distinct image in my mind. I made a quick search for De Lorean images to sustain the feeling, and I found something perfect:
I can hardly wait.