You know, I wasn't too fond of this at first, but I'm warming up to the idea of a rougher Frog. I suppose it comes with certain changes in my attitude to writing. I used to be all for old words, no contractions, and archaic speech - a la the old Frog - but have mellowed in recent months. I like the syntax of the 50s versey-prose translations of the Classics, and at times they can fall into very colloquial speech (ie. a play like Andromache.) Having seen that work so well, I've mainly thrown aside my presumptions. I still like more formal syntax, but don't have disdain for colloquial speech, so long as it's well written and workable in context. Colloquial can still be majestic, after all. Anyway, about this Frog here, I like the track you're own. You seem to have a clear idea of how you think he should be done, so I'm all for that.