Here's my transcription of "Memories of Green" for anyone interested. I suspect that "Chrono Trigger" was written first (judging by the tremendous energy in the music), which would make "Memories of Green" an arrangement of "Chrono Trigger." It is a half-step (semitone) lower than "Chrono Trigger." Here's the Lilypond code:
\version "2.22.0"
\paper {
#(set-paper-size "letter")
top-margin = 2\cm
bottom-margin = 1.5\cm
left-margin = 1\in
right-margin = 2\cm
ragged-right = ##f
ragged-bottom = ##t
tagline = ##f
}
\header {
title = "Memories of Green"
composer = "Yasunori Mitsuda"
arranger = "trans. Ryan Hoopes"
}
piccolo = \relative d''' {
\time 4/2
\clef "french^8"
\key aes \dorian
r\breve | r1.. bes4^"legato" |
\repeat volta 2 {
es4. f ges2 bes,4 f' des~ | des1~ des4 aes4~ aes8 bes es aes |
bes4. bes aes8 g es1~ |
}
\alternative {
{ es1. r4 bes | }
{ es1. r4 es8 f | }
}
ges1 aes | bes ces2. ces4 | des4. des c8 ces bes1~ | bes1. es,4 des |
es1 ges2. aes4 | f16 es f8~ f1..~ | f1. r2 |
\repeat volta 2
{ r\breve r\breve r\breve }
\alternative {
{ r\breve }
{ r\breve }
}
\repeat unfold 6 { r\breve }
r1.. bes,4 |
}
pianoUpper = \relative d'' {
\time 4/2
\clef "treble^8"
\key aes \dorian
\mark "Intro" ges'8 bes, ces ges' \repeat unfold 7 { r bes, ces ges' } |
\repeat volta 2 {
\mark "Loop" \repeat unfold 8 { r bes, ces ges' } |
es aes, bes es \repeat unfold 3 { r aes, bes es } |
}
\alternative {
{ \repeat unfold 4 { r aes, bes es } }
{ \repeat unfold 4 { r aes, bes es } }
}
es ges, aes es' \repeat unfold 7 { r ges, aes es' } |
des f, ges des' \repeat unfold 7 { r f, ges des' } |
es aes, bes es r aes, bes es ges bes, ces ges' r bes, ces ges' |
f aes, des f \repeat unfold 7 { r aes, des f }
\repeat volta 2 {
ges bes, ces ges' \repeat unfold 7 { r bes, ces ges' } |
es aes, bes es \repeat unfold 3 { r aes, bes es } |
}
\alternative {
{ \repeat unfold 4 { r aes, bes es } }
{ \repeat unfold 4 { r aes, bes es } }
}
es ges, aes es' \repeat unfold 7 { r ges, aes es' } |
des f, ges des' \repeat unfold 7 { r f, ges des' } |
es aes, bes es r aes, bes es ges bes, ces ges' r bes, ces ges' |
f aes, des f
\repeat unfold 7 { r aes, des f } \bar "||" \mark \markup { \large "To Loop" }
}
pianoLower = \relative d' {
% set up bar numbers
\override Score.BarNumber.break-visibility = #end-of-line-invisible
\set Score.barNumberVisibility = #(every-nth-bar-number-visible 5)
\time 4/2
\tempo 2 = 70
\clef treble
\key aes \dorian
aes'2 es' aes es | aes, es' aes es |
\repeat unfold 2 {
\repeat volta 2 {
aes, es' aes es | aes, es' aes es | f, c' f c |
}
\alternative {
{ f, c' f c }
{ f, c' f c }
}
\repeat unfold 4 { fes, fes' } | \repeat unfold 4 { es, es' } |
ces, ces' fes, fes' | \repeat unfold 4 { es, es' } |
}
}
strings = \relative d'' {
\time 4/2
\clef french
\key aes \dorian
r\breve | r\breve
\repeat volta 2 {
r\breve r\breve r\breve
}
\alternative {
{ r\breve }
{ r\breve }
}
\repeat unfold 6 { r\breve } r1.. bes4^"legato" |
\repeat volta 2 {
es4. f ges2 bes,4 f' des~ | des1~ des4 aes~ aes8 bes es aes |
bes4. bes aes8 g es1~
}
\alternative {
{ es1. r4 bes }
{ es1~ es4 r es f }
}
ges1 aes | bes ces2. ces4 | des4. des c8 ces bes1~ |
bes1. es,4 des | es1 ges2. aes4 | f16 es f8~ f1..~ | f r4 |
}
\score {
<<
\new Staff \with {
instrumentName = "Piccolo"
shortInstrumentName = "Picc."
}
\piccolo
\new PianoStaff \with {
instrumentName = "Piano"
shortInstrumentName = "Piano"
}
<<
\new Staff \pianoUpper
\new Staff \pianoLower
>>
\new Staff \with {
instrumentName = "Strings"
shortInstrumentName = "Str."
}
\strings
>>
\layout {
\context {
\Score \RemoveEmptyStaves
}
}
}